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https://college.berklee.edu/film-scoring/Schedules
Monday, Tuesday, Thursday: 10:00 a.m.–12:30 p.m. and 1:30 p.m.–4:00 p.m.; Wednesday: 10:00 a.m.–1:00 p.m. and 2:00 p.m.–4:00 p.m.; additional hours available during registration periods or …
https://college.berklee.edu/film-scoring
prepare students to excel in both current and future interactive, immersive art forms that incorporate music. empower students to shape the future of the art, bringing diverse perspectives and as-yet unheard sounds to life. For further information about the Film Scoring Department, please email [email protected] or call 617-747-2440.
https://www.berklee.edu/summer/programs/film-scoring-program-los-angeles
Film score analysis: 10:30 a.m.–11:50 p.m. Composition and orchestration: 12:00 p.m.–12:50 p.m. Lunch: 1:00 p.m.–2:20 p.m. Guest artist: 2:30 p.m.–4:50 p.m. Music production: 5:00 p.m.–6:00 p.m. Lab time or recording mentoring
https://college.berklee.edu/film-scoring/film-scoring-courses
The use of MIDI/audio sequencing in scoring to picture, in conjunction with sample playback and synthesis software. Special attention is paid to the film scoring capabilities of Macintosh sequencing applications using QuickTime, tempo, meter, and synchronization in the process of scoring music to picture.
https://online.berklee.edu/courses/film-scoring-101
Complete Guide to Film Scoring: The Art and Business of Writing Music for Movies and TV, 2nd Edition by Richard Davis, Berklee Press/Hal Leonard; Scoring the Screen: The Secret Language of Film Music by Andy Hill, Hal Leonard; Reel Music: Exploring 100 Years of Film Music, Second Edition by Roger Hickman, W. W. Norton & Company
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