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https://schoenberginstitute.org/2019/12/13/repainted-miniatures-in-the-frederic-spitzer-hours/#:~:text=The%20so-called%20Tilliot%20Hours%2C%20a%20beautiful%20French%20Renaissance,Albert%20Museum%20%28MSL%2F1910%2F2385%2C%20lot%203015%20in%20the%20sale%29.
https://www.jstor.org/stable/42554263
Although the Tilliot Hours is of superb quality, it represents a period which was until very recently completely out of fashion with twentieth-century scholars, who tended to regard manuscripts made during the century after the invention of printing as the last decadent manifestations of a dying art. Derek himself described its miniatures some
https://blogs.bl.uk/digitisedmanuscripts/2020/12/the-ox-and-ass.html
A page from the Hours of the Virgin in the Tilliot Hours contains an unusual two-part image where the ox and ass are present in both scenes. The lower image shows Joseph and the heavily pregnant Mary arriving at the inn, leading a tired-looking donkey which has been carrying Mary in a saddle, followed by the ox.
https://www.moleiro.com/en/books-of-hours/the-hours-of-henry-viii/miniatura/5049e02b7a749
In the celestial cool blue of heaven, the innocent soul of Lazarus, depicted as a nude child, calmly prays within Abraham’s protective arms. As discussed in chapter I, this border is based on the one Poyer painted in the slightly earlier Tilliot Hours (see chapter I). Roger S. Wieck.
https://www.nga.gov/collection/art-object-page.136121.html
"The Tilliot Hours: Comparisons and Relationships." British Library Journal 13, no. 2, 1987: 225-228. 1993 Avril, François and Nicole Reynaud. Les manuscrits à peintures en France 1440-1520. Paris (1993): 308 1996 ...
https://www.bl.uk/catalogues/illuminatedmanuscripts/TourFr1450.asp
Tilliot Hours, 180 x 110, c. 1500, Dives and Lazarus, illuminated by JEAN POYER Yates Thompson 5, f. 70v Hours of Philippe de Commynes , 155 x 100 mm, c. 1485, Deposition , illuminated by the MASTER OF JEAN CHARPENTIER
https://www.jstor.org/stable/2903697
scale of the Tilliot Hours, where, however, the composition and page layout are more complex. In the commentary Wieck takes on the task of revising Poyet's oeuvre, explaining the extant documentation in detail and delving into the bibliography to explain Poyet's century-long eclipse.
https://www.christies.com/en/lot/lot-1057830
The Heinemann Hours are usually associated with the Tilliot Hours in the British Museum which, along with the Missal of Tours and the Lallemant Hours, represent a coherent group of works closely related in style.
https://commons.wikimedia.org/wiki/Category:16th-century_illuminated_manuscripts_from_France
Tilliot Hours (c.1500) - BL Yates Thompson MS 5 (1 F) V. Les vies des femmes célèbres d'Antoine Dufour (8 F) W. Walters MS W200 - French 16th century alphabet book (24 F) Walters MS W294 - Book of Hours (2 F) Walters MS W446 - Book of hours by Bellemare Group (5 F)
https://www.moleiro.com/it/libri-dore/libro-d-ore-di-enrico-viii/miniatura/5049e02b7a749
In the celestial cool blue of heaven, the innocent soul of Lazarus, depicted as a nude child, calmly prays within Abraham’s protective arms. As discussed in chapter I, this border is based on the one Poyer painted in the slightly earlier Tilliot Hours (see chapter I). Roger S. Wieck. Curator, Medieval and Renaissance Manuscripts
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