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https://library.calvin.edu/hda/node/1012
ca. 430-410 BC--Greek--vase by Polion the Painter depicting a chorus of satyrs--it was the choral dithyramb that served as the basis for theatrical performance.
https://www.academia.edu/6335877/Satyr_Chorus_with_Thracian_Kithara_Toward_an_Iconography_of_the_Fifth_Century_New_Music_Debate
A public performance by a satyr-chorus brings to mind the satyr-plays that closed the tragic trilogies performed in dramatic contests at the Athenian fes- tivals of Dionysus.6 Polion wished, however, to assist the viewer in getting to grips with the meaning of the image.
https://www.britannica.com/art/satyr-play
The actors play mythical heroes engaged in action drawn from traditional mythical tales, but the chorus members are satyrs, guided by old Silenus. Satyrs are nature spirits who combine male human traits (beards, hairy bodies, flat noses, and an erect phallus) with the ears and tails of horses. (See also satyr and silenus.) The satyrs are contrasted with the main characters—who are more or less serious—by …
https://literaryocean.com/satyr-play-greek-drama-definition-and-examples/
It was a form of burlesque in which a mythical hero (perhaps the hero of the foregoing tragedies) was presented as a ridiculous personage with a chorus of satyrs, perhaps led by Silenus. The satyrs were creatures that were half-man and half goat, or …
https://escholarship.org/uc/item/05z6b1b1
The class oppositions between heroic/divine characters and the rest (choruses, messengers, servants, etc.) that are so integral to Athenian tragedy are shown to be present also, in exaggerated form, in satyr drama, with the satyr chorus occupying a role that also inevitably recalled for the Athenian audiences their own (often foreign-born) slaves.
https://oxford.universitypressscholarship.com/view/10.1093/acprof:oso/9780199950942.001.0001/acprof-9780199950942
Ancient critics and poets allude to comic-satyric associations in surprising ways, vases indicate a common connection to kômos (revelry) song, and the plays themselves often share titles, plots, modes of humor, and even on occasion a chorus of satyrs.
https://www.brown.edu/Departments/Joukowsky_Institute/courses/13things/7415.html
Both of these songs were the beginning of the separation of leader from chorus, which is later separated even further. These forms transformed into the Satyr plays which are often comedic and have masked Satyr chorus. Satyr plays were, of course, continued as an actual form and were present in all Great Dionysia festivals.
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