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https://www.sputnikmusic.com/review/29781/Tombs-Winter-Hours/
Winter Hours is also lyrically bleak with poetry about the end of days, nightmares, and the reality of death that wholly completes the music/ album. Tombs self-titled album (2007) tinkered with post-hardcore and Winter Hours finds the band taking well-aged ideas and building strongly on what has already been done before. Registering in at a mere 37 minutes, this is blackened-post metal that someone not too fond of …
https://metalstorm.net/pub/review.php?review_id=6764
Just as Brooklyn lies somewhere in the middle of France and the Bay Area, the music of Tombs lies somewhere in between that of France's Deathspell Omega and Oakland's Neurosis. Winter Hours manages to combine the ferocity and atmosphere of black metal with the crushing density of noisecore sludge. The approach sees them navigating back and forth between styles, sometimes …
https://www.blabbermouth.net/cdreviews/winter-hours/
In another example of the hype matching reality, Brooklyn's TOMBS have created a monster with Relapse debut, "Winter Hours". The whole noise-meets-shoegaze-meets-pummel thing does not always work...
http://www.metalunderground.com/reviews/details.cfm?releaseid=1767
Delivering a heavy atmosphere and sprawling soundscapes, Tombs’ "Winter Hours" is a sonically rich album. Featuring fuzzy, distorted guitar work and hard hitting drum beats, the album bathes the listener in subtle changes and melodies, with riffing that approaches an esoteric black metal sound.
https://www.popmatters.com/70488-tombs-winter-hours-2496059829.html
On Winter Hours, all doubts are cast aside, as mournful melodies are slyly buried underneath a thick morass of sludgy riffs and primal drum beats, the expansive yet punishing mix by …
https://www.sputnikmusic.com/soundoff.php?albumid=34443
Boy was I wrong! This album is a lot better than Path of Totality IMO. Where most of the songs on POT sound the same, the songs have a nice variety on Winter Hours. The best thing about this album is not that Tombs does a good job of sounding like a Neurosis/Isis hybrid band. The best thing is the thick wall of sound they create.
https://scratchthesurface-webzine.blogspot.com/2009/05/tombs-winter-hours.html
Tombs - Winter Hours. Formed by underground veteran Mike Hill (whose past credits include Anodyne and Versoma) less than two years ago, US trio Tombs has already made a reputation for themselves as one of the most interesting and audacious acts of today’s post-metal/sludge scene. “Winter Hours” their Relapse Records debut will surely do nothing less than strengthen their rise in popularity as it will …
https://rateyourmusic.com/release/album/tombs/winter-hours/
Winter Hours, an Album by Tombs. Released 17 February 2009 on Relapse (catalog no. RR 7021; CD). Genres: Sludge Metal. Rated #1009 in the best albums of 2009. Featured peformers: Mike Hill (guitar, vocals, producer), Carson Daniel James (bass), Justin Ennis (drums), Ian Whalen (engineer, mixing), John Chambers (additional engineer), Alan Douches (mastering), Thomas Hooper (artwork, …
https://www.discogs.com/Tombs-Winter-Hours/master/220867
Discover releases, reviews, credits, songs, and more about Tombs - Winter Hours at Discogs. Complete your Tombs collection.
https://metalstorm.net/pub/review.php?review_id=8695
About a year ago I reviewed the debut album from Brooklyn's Tombs. Winter Hours was a pretty cool album mixing elements of sludge and black metal into a nice, dense, oppressive sonic slab. Tombs is back a year later with Fear Is The Weapon, a compilation presumably to tide us over until their sophomore full-length.
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