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https://www.yelp.com/biz/painting-conservation-studio-portland-2
Specialties: Expertise in conservation of paintings on canvas, panels, murals, icons and polychrome sculpture. Established in 1993. Since 1993, Elzbieta has been in private practice in Portland, Oregon, serving private clients, collectors, galleries, antique dealers, auction houses, churches, convents, historical societies and historic homes.
https://paintingconservationasheville.com/contact/
Contact. For more information on Painting Conservation's art restoration and conservation services, please contact Colin Post today. Asheville, NC. Email: [email protected]. Phone: (828) 251-5133. Hours of Operation: Monday through Friday - 9:00 a.m. to 5:00 p.m. by appointment. Saturday through Sunday - by appointment. Contact.
https://dma.org/programs/event/members-only-art-talk-conservation
Dive into the world of art conservation at the DMA with a 20-minute lecture-style overview from one of the DMA’s trained docents and then visit the gallery at your leisure. Your docent will join you in the gallery for the remainder of the hour and be available to answer questions and engage in in-depth conversation about the art as you explore.
https://americanart.si.edu/art/conservation/center/paintings_studio
Painting Conservation Studio. In this studio conservators restore the surface of paintings to a condition that most closely resembles an earlier unaltered or undamaged state. The two most common procedures that take place here are cleaning and inpainting. During cleaning, conservators carefully remove layers of accumulated grime; darkened ...
https://www.oldworldrestorations.com/
Office Hours by appointment: Monday-Friday: 10:00 AM until 5:00 PM Appointments outside office hours can be arranged by calling (513) 271-5459 ext:101
https://asiarta.org/introduction-to-conservation/oil-paintings/painting-conservation-techniques/
By Bettina Ebert, Paintings Conservator and Researcher, Asiarta Foundation Below are brief descriptions of some of the conservation treatments that may be undertaken on a canvas painting. Surface dirt removal. Dust and dirt has a tendency to collect on the backs of paintings, settling between the canvas and stretcher bars, and becoming engrained in the exposed canvas.
https://ccaha.org/resources/light-exposure-artifacts-exhibition
Light level (lux) x Time (hours) = Exposure (lux hours) Understanding this formula, it is clear that exhibiting an object for 1 hour at 100,000 lux (direct sunlight) is equivalent to exhibiting the object for 200 hours at 50 lux (museum lighting).
https://parmaconservation.com/paintingconservation/
Painting Conservation. A great work of art has certain timeless elements – the genius that creates it, the themes it expresses, the reactions it inspires. But the work itself isn’t timeless at all. It is an assemblage of physical components that are highly vulnerable to time and catastrophe.
https://www.si.edu/mci/english/learn_more/taking_care/care_painting.html
A traditional painting is constructed, in order from bottom to top, of the support, ground, paint, and coating. The majority of paintings are on either fabric or a wooden panel. Fabric supports are stretched over stretchers with keys (flat triangular wedges, traditionally wooden) in the corners to ...
https://www.nga.gov/collection/art-object-page.183.html
The three panels in the National Gallery of Art collection (this work, Joachim and Anna Giving Food to the Poor and Offerings to the Temple, and The Presentation of the Virgin in the Temple) form part of a larger series of scenes from the childhood of Mary, of which a fourth component is also known: Joachim Leaving Jerusalem now in the Keresztény Múzeum at Esztergom in Hungary [fig. 1] .
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