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https://www.khanacademy.org/humanities/renaissance-reformation/early-renaissance1/painting-in-florence/a/perugino-christ-giving-the-keys
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http://www.pottypadre.com/the-key/
THE ‘KEY’ MOMENT: ‘The delivery of the keys to St. Peter’ by Pietro Perugino Officially he is a painter, but concealed under his artistic guise is a character, a charisma and a creative burst of imagination. Pietro Perugino (1452 – 1523) is regarded as one of the greatest champions of the renewal of Italian art.
https://www.artsy.net/artwork/pietro-perugino-delivery-of-the-keys-to-saint-peter
From Art History 101, Pietro Perugino, Delivery of the Keys to Saint Peter (1481), Fresco, 348 × 570 cm
https://silverandexact.com/2010/10/29/the-giving-of-the-keys-to-saint-peter-pietro-perugino-1482/
Oct 29, 2010 · That’s why Perugino devoted himself there to paint his masterpiece, The giving of the keys to Saint Peter, in 1482. In the painting, we see Christ handling the keys of heaven to St. Peter, the first pope of the Catholic Church. Around them, we see the 12 apostles, with a halo above their heads, mixed with other personalities of that time.
https://www.wga.hu/html/p/perugino/sistina/keys.html
Likely in charge of the entire project of the fresco decoration on the walls of the Sistine Chapel, Pietro Perugino retained for himself not only representations on the altar wall (which eventually were replaced by Michelangelo's Last Judgment) but also other significant scenes, such as Christ Handing the Keys to St Peter, a most fitting subject for Pope Sixtus' chapel.
http://www.visual-arts-cork.com/famous-paintings/christ-handing-keys-to-saint-peter.htm
Christ Handing the Keys to Saint Peter is located in the Sistine Chapel, Rome. The commission was given to Perugino because of his successful series of mural paintings for a chapel in the Old St Peter's Basilica in Rome.
https://sommerville88.wordpress.com/tag/the-delivery-of-the-keys-to-st-peter/
Perugino’s fresco painting of “The Delivery of the Keys to St. Peter” uses the technique of a vanishing point. This techniques serves well within this fresco, as it gives the viewer not on depth with in the piece but helps by serving as a great tool of proportions or scaling of objects and figures.
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