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https://www.ngv.vic.gov.au/essay/the-aspremont-psalter-hours-the-making-of-a-manuscript/
The richly illuminated prayer-book known as the Aspremont Psalter-Hours has long been recognised as an important example of manuscript production from the Lorraine. 1 For a detailed description of the manuscript, and a bibliography, see Μ. M. Manion & V. F. Vines, Medieval and Renaissance Illuminated Manuscripts in Australian Collections, London, 1984, pp. 173–6, no. 70.
http://blogs.reading.ac.uk/trm/files/2016/11/Sedovic-1.pdf
‘The Aspremont-Kievraing Hours’ in The Felton Illuminated Manuscripts in the National Gallery of Victoria. (Melbourne. 2005) p.106. 3 Manion. ‘The Aspremont-Kievraing Hours’. p.109.
https://www.denisemtaylor.com.au/2013/06/marginalia-mayhem-in-medieval-manuscripts/
The two-volume Aspremont-Kievraing Psalter-‘Hours’ **(Lorraine, France, c. 1300, Latin, MS Felton 1254-3, National Gallery of Victoria) abounds with lively marginalia that not only provide important cultural indicators of everyday life for men and women, but also the usual array of fantastical creatures. The manuscript is now divided into two parts: the psalter is in the …
https://www.ngv.vic.gov.au/essay/the-13th-century-psalter-offices-of-joffroy-daspremont/
The illuminated manuscript known as the Aspremont Hourswhich was purchased at Christie’s in 1922 for the National Gallery of Victoria warrants attention on several counts.1MS. Felton 2 vellum, 215 x 150 mm, ff. 139. For bibliography see K. V. Sinclair, Descriptive Catalogue of Medieval and Renaissance Western Manuscripts in Australia, Sydney, 1969, 315-16; E. G. Millar, …
https://www.theage.com.au/entertainment/books/the-felton-illuminated-manuscripts-in-the-national-gallery-of-victoria-20060506-ge29c2.html
The much earlier Aspremont-Kievraing Hours (c. 1300) deploys a completely different layout, with marginal illustrations from both everyday life and the surreal reaches of the medieval imagination.
https://scholarworks.wmich.edu/medieval_icms/2014/Schedule/379/
By Medieval Institute, Western Michigan University, Published on 05/10/14. Paper Title 1. Violence in the Margins: Negotiating Martial Masculinity in …
https://tcd.academia.edu/Departments/History_of_Art/Documents
The Aspremont-Kievraing Psalter (Bodleian Library, MS Douce 118) was created in Artois, France circa 1290-1310 for Joffroy d’Aspremont and Isabelle de Kievraing. The Psalter is the first half of a ‘hybrid text’, consisting of both the Psalms and liturgical hours, and typical of the late thirteenth century, when the popularity of the book of hours began to outpace that of the psalter.
https://www.jstor.org/stable/20466037
of photographic details, such as those taken of the drolleries in the Aspremont-Kievraing Hours or the close-up renderings of the magnificent decorative detail found in the Gospel Book of Theophanes. Because of this embarrassment of photographic riches, one is able to
https://www.jstor.org/stable/20463695
nated books such as the Aspremont-Kievraing Psalter-Hours (Oxford, Bodleian Library, MS Douce 118, and Melbourne, National Gallery of Victoria, MS Felton 1254-3, c. 1300) and the better-known group of liturgical manuscripts made around the same time for Re naud de Bar, bishop of Metz. Again the focus on the Virgin's experience of the Passion in
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