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https://bimp.uconn.edu/2021/10/26/doll-plays/
For its second installment of the 2021 Fall Puppet Forum Series, and in conjunction with its Puppetry’s Racial Reckoning exhibition, the Ballard Institute and Museum of Puppetry at the University of Connecticut will host “The Doll Plays” Reunion with Alva Rogers, Heather Henson, and Holly Laws on Thursday, Nov. 4 at 7 p.m. ET. This forum will take place on Zoom …
https://www.semanticscholar.org/paper/The-puppet%27s-paradox%3A-An-organic-prosthesis-Cappelletto/b9757dc688f90142ab7fbed9f69dd94e52b4f7d6
All movables of wonder, from all parts, Are here: Albinos, painted Indians, Dwarfs, The horse of knowledge, and the learned pig, The stone-eater, the man that swallows fire, Giants, ventriloquists, the invisible girl, The bust that speaks and moves its goggling eyes, The wax-work, clock-work, all the marvelous craft Of modern Merlins, wild beasts, puppet-show, All out-o'-the-way, far-fetched ...
https://forum.paradoxplaza.com/forum/threads/does-anyone-enjoy-the-pacific-theater.1489671/
I think it's safe to say most people just play HoI4 for the European theater since it's the most flexible when it comes to warfare. Less supply issues, less attrition issues, more maneuverable terrain, less of a meat grinder, and so on. And personally, I think I rarely even focus on the Pacific theater in my +2000 hours of HOI4.
https://www.insideindonesia.org/heritage-and-paradox
The Bandung performance illustrates an important paradox. On one hand, the government’s emphasis on heritage legitimises and supports the continued practice of wayang golek. But, on the other hand, it turns the puppet performances into a (profitable) museum exhibit, standardising them and preventing them from evolving.
https://www.quora.com/What-are-the-8-paradoxes-of-theatre
Answer (1 of 3): Theater is: Spontaneous, yet rehearsed; Participatory, yet presented; Real, yet simulated; Understandable, yet obscure; Unique to the moment, yet repeatable; the actors are themselves, yet they are characters; The audience believes, yet it …
https://ranobes.net/read-1624042.html
The words were firm, yet quiet. The Grateful One cocked her head to the side. “Yes, I know that,” she said. Like before, the words were flat; almost lifeless. “I can’t be a puppet; I’m the one pulling the strings now. I’m the one that tells it what to do - if it walks, or talks, or feels, or even if its heart stops.
https://www.bolshoitheatre.com/performance/big_bolshoi_don_quixote/
Running time: 3 hours. Major revival of the ballet took place on 2 February 2016. The legendary don Quixote returns to Historical the Bolshoi theatre. Created in 1869 by Marius Petipa specially for the Moscow troupe, famous character dances and pantomime life, in 1900 "Don Quixote" has found a second wind in the hands of enthusiastic innovator Alexander Gorsky, whose …
https://guernseypress.com/news/uk-news/2021/10/23/refugee-puppet-little-amal-welcomed-at-st-pauls-cathedral/
The 3.5-metre tall puppet climbed the cathedral steps before handing a gift to the dean. A giant puppet of a Syrian refugee has been welcomed at St Paul’s Cathedral as the dean said he hoped London could be a refuge for all those who need it. The crowd cheered as Little Amal neared St Paul’s, and a group of children chanted “Amal!
http://www.gamelan.org/balungan/current_issue/durban_jaipongan.pdf
Nandang Barmaya, a Bandung musician and dalang (puppet theater master), Jaipongan developed in the 1980s into a popular dance, both as social dance in villages and as stage performance in big cities like Bandung. (For additional information on Jaipongan see Hellvig 1993; Manuel and Baier 1986; Spiller 2004: 202-262, and Yampolsky 1987) Though
https://www.imdb.com/title/tt1460746/
Paradox: Created by Lizzie Mickery. With Tamzin Outhwaite, Emun Elliott, Mark Bonnar, Chiké Okonkwo. During a period of high activity on the sun a physicist receives images in his lab that show an event that has yet to happen.
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